A Question of Sanity

Another day, another quiz show audition. Once again I’ve decided to put myself through the mill and tried to get on a television quiz show and this time it’s a trip to Glasgow to audition for “A Question of Genius”.

I’d caught some of the first series of the show earlier in the year and I thought, with it being pitched at a good level, that I’d like to have a go. Unlike Alan Partridge, they got a second series and I got my form in just before the closing date.

Within a week I’d got a call back from the BBC – the BBC are so much more efficient at running quiz/shows shows than certain independent production companies I could name – and I did the usual over-the-phone 10 questions of general knowledge. I got 6 out of 10 and, if I were being honest, I wouldn’t have scored more than 7. For one of them I jumped in too early and missed the obvious answer but the other three, well, I wouldn’t have known them if they’d told me the answer first!

Thankfully, six was enough to get me an audition and yesterday morning I headed off to the Wild West, along the M8. (I used the day of driving along the central belt as an opportunity to road test a compilation I’d put together for a colleague. Is that just a man thing?) The M8 used to fill me with dread. It’s very much a survival-of-the-fittest road with more than a passing resemblance to a game of Musical Lanes. It’s like an automotive version of Mike Reid’s 70s kids show Runaround, only without the annoying cock-er-nee spiv. G-g-g-g-gooooooooo!

Unlike Scotland’s capital in the East, there’s lots of off-street parking in Glasgow but I still plump for the security of the Glasgow Science Centre car park. Good value (£3 a day) if you’re only visiting but I can see why local workers would choose to park on the surrounding pavements.

I arrive an hour early and kill some time picking up leaflets in the Science Centre. I wander over to the BBC’s brand new Pacific Quay headquarters. Not surprisingly, I’m the first there and I park myself at the little coffee shop. It wasn’t my first visit to this building, having been there for another audition and also a job interview. Needless to say, the audition went better than the job interview. Maybe more job interviews should include puzzles, quizzes and pieces to camera.

After finishing the Depress crossword (DePress is my name for the Dunfermline Press, a parochial maudlin local paper of my hometown), I head back to reception and am soon joined by three others. I get chatting to Alan and John but Carlos, a Mexican with more than a passing resemblance to the bass player from Metallica, keeps his own council. The first question on occasions like this, after the opening “Are you here for the audition?” is something along the lines of “Have you done any of these before?” In a bizarre coincidence, John and Alan had both been on Superscot about 20 years previously but done nothing since. Maybe they were just keeping their quiz powder dry. (Superscot ran from 1983 to 1989 and was presented by Jane Franchie. It was revived in 1990, this time as a family show, presented by Jackie Bird).

As if by magic, a production assistant, who I recognised form a previous audition, appeared and whisked me off into the building. Unfortunately we didn’t get to enter the central area, which resembles a cutaway of an ocean liner, and instead were ushered down a side corridor. Initially we entered a room with a toilet symbol on the door but, rather like the unmade edition of Mr Benn when he becomes a quiz show contestant, we entered an area called The Lab. Thankfully it was The Lab and not The Lav, although I was concerned, having been recognised by Rebecca, that my chances had already gone down the pan. Considering we were about to go through the quizzing equivalent of having soap sprayed in our eyes it seemed rather apposite. Being an old hand at these auditions, I was ready for whatever was thrown at me but Carlos seemed very nervous. John and Alan were very laid back.

First of all we were given a couple of forms. One is a form where we promise to hand over our first born away to the BBC if we’re naughty and the other another general knowledge quiz. It would have to be a bloody brainy general to know all five answers to the questions. I got 2 right and made one decent guess and two random ones. I wonder if it’s another filter to weed out quizzing “pros”, like the sort you got on “Are You an Egghead?”

After the introductions – there were four people, including Rebecca, and a camera – we played a game of charades. I volunteered to go first but my enthusiasm wilted slightly when I realised I couldn’t actually think of one – the pressure had started. One of the watching team fed me “One Flew Over The Cuckoo’s Nest” proclaiming it was a difficult one. Alan got it after “One”. John then did a book that only he had read and no one else had ever heard of. After Alan and Carlos’s shots we moved on to playing the quiz itself.

With no buzzers available we had to handclap when we wanted to answer the question. The aim of the game in the first round, called A Question of Knowledge, was to reach 5 points. You got a point if you buzzed in successfully on the first question and then you got to choose between a 1, 2 or 3 point question on the same topic, although you were still up against everyone else. I successfully negotiated the first round and normally one contestant would drop out but for the purposes of the audition we all stayed in for the second round.

A Question of Judgement was up next and this time the aim was to reach 7 points to ensure survival. The only change from the first round is that should you get the opening question right, you would choose your opponent on a head-to-head basis and at what level. Again the questions fell nicely for me and I progressed through first. As someone who enjoys quizzes I had to resist the urge to join in as I sat out while the others were going through their questions.

We didn’t get to play the subsequent rounds (A Question of Pressure, A Question of Strategy and the final A Question of Genius) and instead had a coffee while we prepared to do a piece to camera. As the camera was being shuffled into the corridor outside John and Alan started having a light-hearted argument about how many films John Wayne had been killed in!

We all had to provide a specialist subject for the final Question of Genius round, should we get there, and I have plumped for UK Top 40 hits of the 1980s. It was between that and the Eurovision Song Contest but I figured 50 years of foreign singers and songs would be too much to swat up on. Better to choose a subject that I know reasonably well to begin with so that I would have less swatting to do. That’s the theory anyway. Only time will tell whether I made the right choice. I might not even get the opportunity. Carlos had gone for another musical topic with “The Cure” while John and Alan went for movie-related choices, namely “Films directed by Steven Spielberg” and “The films of John Wayne”. Sadly we didn’t get to show our prowess on our specialist subjects and instead were ushered one by one into the corridor.

I went in last and tried to sound interesting. I mentioned the hospital radio work but kicked myself afterwards for forgetting to mention my Best Newcomer nomination. As there was only four of us the audition was over in an hour and it was back to life, back to reality.

On the two previous aforementioned visits to Pacific Quay I had got lost on the way out. On one occasion I got lost around Ibrox, one of the last areas I’d like to stay longer than necessary. On the other occasion my ShitNav told me to go right, which took me straight into the face of two lanes of dual carriageway coming towards me! Only a handily-place parking space saved me certain death or, at the very least, a good peeping at. I can just see my epitaph: He came, he quizzed, he left empty-handed. Using the power of Twitter I asked Radio Scotland presenter and all round good egg Jim Gellatly for directions and he recommended using the “Squinty” Bridge. Multimap doesn’t include this new landmark.

It’s always hard to tell how auditions have gone because it’s so hard to predict what the production company is looking for. I thought I performed well on the quiz section and had an okay piece to camera – I’ve done better - so only time will tell if I get on. Successful applicants will be told in two to three weeks, with filming taking place in Glasgow in January. One concern I have about my chances is my recognition by the charming Rebecca. When she asked me if we’d met before I asked, “Brainbox Challenge?” She rallied with, “Who Dares Wins”. I didn’t get on “Who Dares Wins” so I’m hope that doesn’t count against me.

Anyway, it’s over now and it’s just a question of waiting.

RADIO KILLED THE RADIO STAR

Yesterday I attended a Radio Academy event at the Royal Concert Hall called "Foot in the Door". It was supposed to be just for radio students but, after initially being told I couldn't go, I was invited too. (Thanks to John Collins (no, not that one), Helliate and Laura.)

While in my ways I was glad I went I left feeling rather more depressed than when I arrived (and I've been very down this week). I took a lot of good information away and I certainly asked plenty of questions - I figured it might be my only chance.

The event was split into a number of sessions covering different areas of radio/broadcasting.

Imaging - Marketing a station's brand
Indies - Getting work on the BBC via independent producers
Music radio production - Selection and scheduling of music on the BBC and independent radio
Speech sequence radio production and presentation - Producing busy, regular speech radio
How to get your work commissioned - Exactly as it sounds
Podcasting - See above
Music Presentation Skills - What rocks on air and why
Community Radio - As it says

I plumped for Podcasting, How To Get Commissioned, Indies and Music Presentation Skills, although the last one seemed to have disappeared so I plumped for a very busy Speech Production table.

The podcasting table featured Karen Miller and Jim Gellatly, who already do their own (excellent) podcasts and Tony Currie who runs Radio Six International, an Internet radio station based in Glasgow. Most of the chat centred around money; namely licences from PPL and the mouthful that is the MCPS-PRS Alliance. While it made no attempt to cover up the realities I felt the dark clouds of doom begin to hover.

Cumulo Depressus showed no sign of disappearing through "How To Get Your Work Commissioned". Okay, maybe they were just being realistic about your chances of getting your ideas commissioned or even stolen but there was definitely an air of doom and gloom about it all.

The third table, after a very pricey lunch in the Concert Hall cafe, was even more depressing. Colin Somerville is someone I grew up listening to over many years and while it was great to put a face to the voice he seemed tinged with a world-weary sadness that didn't fill me with hope for my own chances of getting paid for doing what I love to do. Again, maybe he was just telling it like it is, keeping it real, making sure we were under no illusions as to how tough 'the business' is but it just made me feel like going home.

The last table, Speech Sequence Radio Production and Presentation, gave me a bit more hope. One thing I did learn is that Scott Wilson, resplendent in a lovely grey golfing jumper, doesn't need a microphone! Ever! I managed to chat with two of the panellists from this table later on, namely Graham Stewart and Stephen Hollywood, both who work for Radio Scotland. Graham presents "Morning Extra" on Radio Scotland and I phoned in on Christmas Eve to talk about two of the featured topics - Christmas records and working over the festive period. I was on air when I was on my way to do my Christmas Countdown show on VRN. I also had a chat with Stephen Hollywood, a senior Producer for Radio Scotland who looks after Fred MacAulay's Show. I was interviewed about the Jocknroll Best/Worst Album Poll by Fred and I spoke to Stephen about being a music contributor on the show. If you don't ask...

After an excellent closing speech by Trevor Dann and a brief chat with Jim I made my way to one of my least favourite places, Buchanan Street Bus Station. Even in broad daylight I'm very wary of the place.

While the event was well organised I did feel at times that I was on my own and spent a lot of wondering aimlessly around. I did meet and talk to a few people but most of them were the actual panel members for each group.

I like to thank the following people for their time and words of wisdom: Graham Stewart , Stephen Hollywood, Paul Saunders (Programme Director for Radio Clyde who allowed me to foist my demo on to him), Nick Low (Demus Productions, who voted in the Jocknroll Singles poll), Karen Miller, Tony Currie and last, but not least, the larger-than-life Jim Gellatly, who did a little piece to camera for a rolling Jocknroll project that I'm working on (and not telling you about yet).

TWITTER v BLOGGING, COMPLAINTS, WEBSITE HELP NEEDED

It seems that since I joined Twitter I’ve stopped Blogging, well almost. Although the more I think about it I know that’s it simply because I’ve been so busy. I’ve attended two one-day courses this week; one to do with Dreamweaver, which I’m using to upgrade the Jocknroll website, and one for work to do with my employer’s new Intranet/Content Management site. Both were interesting in their own ways and I look forward to utilising what I’ve learned.

It seems to be feast or famine with me when it comes to Blogging. I had a ‘rich vein of form’ recently but I’ve only posted my radio show track lists since then. Mind you, I’ve been replying to entries by Clair, Modern Gutnish and Avenues and Alleyways who are never anything less than interesting.

I’ve had some more Recommends in The Scotsman:
- Best Slosh Songs
- Best Unfinished Scottish Things
- Best Scottish Lurve Song

I’m still having issues with the ILA and my learning provider (I’ve lost £200 in funding thanks to a cock-up), the BPI (no reply yet regarding my Brits observations), E.ON (no reply to two e-mails) and Orange (still getting messages that I was told would stop) and when any of them get back to me I’ll let you know what they say.

I enjoyed a Twittering menage-a-twit during The Brits with Jim Gellatly and Joe McAlinden on Wednesday. Rather ironically, I didn’t actual watch it and instead chose to comment on their observations.

More work is required on the Jocknroll website and I’m looking to join up with Amazon Affiliates. Yeah, selling my soul a bit but I’m not greedy. I just want to make enough to pay for the running of the site and to maybe get some Jocknroll t-shirts and badges made. I’ve added a whole load of new album sleeves this week and I’m now looking into things like Keywords, Descriptions and Google Analytics. (The site does have some text embedded to do with Analytics already but I can’t access the information. You won’t be surprised to know that I’ve e-mailed them for help.)

I need to think about what direction I want the site to go in. Any ideas? Maybe we should run another poll. I need to add more Artist links, as well as checking all the links on the Links page to ensure that they’re still extant. I hate going on to other websites and finding out-of-date links.

Does anyone know the best way to get up to date Scottish Music News on to the website? RSS perhaps. Or even General Music News in which I can weed out the non-Scottish stuff.

I’d appreciate any comments on the Jocknroll website from my Blogging Buddies. I can take it on the chin(s), whatever your observations are.

Does anyone know how I can link the headlines from my Jocknroll Blog entries to the main website, maybe like a news ticker-tape? I’m also looking at adding a new Contacts page on the Jocknoll website with Blogger and Twitter widgets embedded. Does anyone know how, and if, I can do this? Questions, questions, so many questions.